Chiara Giovando

Selected Projects

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FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication
FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication

FLUX BOX, Scott Barry, Neil Doshi and Chiara Giovando, Sculptural Publication

2013, on-going

FLUX BOX is both a document and an artwork. It is a publication made in connection with the Exhibition Hammer Without a Master: Hanning Christiansens Archive that invited 10 sound artists and composers to respond to Danish Fluxus artist Henning Christiansen’s archive. The exhibition was the result of a six-­‐month research fellowship. I spent countless hours in Christiansen’s extensive archive and produced a publication called the Produced in an edition of 7 specifically for other art archives around the world, the FLUX BOX is a circular work that makes an interconnected feedback loop between exhibition, performance and archive.

The FLUX BOX is designed to decay each time a researcher or archivist uses it. This points to questions that arise when we consider archiving a temporal form like sound art or Fluxist art that is inherently fragile, fleeting or impermanent. A dedicated display system was installed within the exhibition for the FLUX BOX. Artifacts and small works produced during live events were exhibited here. In this way time-­‐based works participated in the visual exhibition by leaving small residues, and the show became a living archive by continually cataloging itself.